Lady Anne is one of Antjie’s Krog most acclaimed poetry collections. It was released in 1989, in Afrikaans, in the last tumultuous decade of apartheid, and received the Hertzog Prize in 1990
Newly cast in English, the collection transforms into a document of multiple voices, highlighting the complexity of a colonial legacy – still relevant 26 years later.
The critics say:
Stephen Clingman: “There is a rugged, gripping quality to Krog’s language, digging deep into the nature of South African life and her own self-challenging life
to it.”
Ingrid de Kok: “Krog engages . .. with originality and power, in poetic language of great beauty, passion and complexity.”
Kerry says: ‘’It is a rich dish, and you can only take so much at each sitting. And delicious.’’
Historian Ferguson (The Ascent of Money) examines several turns in the ever-shifting relationship between entrenched hierarchies and upstart “networks”: the 15th-century invention of the printing press enabled Protestants to challenge the Catholic Church and Enlightenment intellectuals and revolutionaries to overthrow monarchies; the advent of railroads, telegraphs, and radio allowed some bureaucratic states to become totalitarian dictatorships in the 20th century; the rise of the internet undermined hierarchical corporate and government control while empowering network monopolies such as Facebook. Ferguson’s episodic narrative explores these themes through vivid profiles of influential networks, from the 18th-century Illuminati (far more feckless than their conspiratorial reputation suggests) to the Rothschild banking empire, Cambridge University’s Apostles circle (an incubator of avant-garde literature, gay sex, and espionage), and Wikileaks. Twitter and Trump, ISIS and Facebook. Mostly short, easily digestible chapters.
This extraordinary account of imprisonment shows with exacting clarity the awful injustices of the system. Sylvia Neame, activist against apartheid and racism and by profession a historian (see the three-volume, The Congress Movement, HSRC Press, 2015), has not written a classical historical memoir. Rather, this book is a highly personal account, written in an original style. At the same time, it casts a particularly sharp light on the unfolding of a policedominated apartheid system in the 1960s. The author incorporates some of her experiences in prisons and police stations around the country, including the fabricated trial she faced while imprisoned in Port Elizabeth, one of the many such trials which took place in the Eastern Cape. But her focus is on Barberton Prison. Here she was imprisoned together with a small number of other white women political prisoners, most of whom had stood trial and been sentenced in Johannesburg in 1964-5 for membership to an illegal organisation, the Communist Party. It is a little known story. Not even the progressive party MP Helen Suzman found her way here. Barberton Prison, a maximum security prison, part of a farm jail complex in the eastern part of what was then known as the Transvaal province, was far from any urban centre. The women were kept in a small space at one end of the prison in extreme isolation under a regime of what can only be called psychological warfare, carried out on the instructions of the ever more powerful (and corrupt) security apparatus. A key concern for the author was the mental and psychological symptoms which emerged in herself and her fellow prisoners and the steps they took to maintain their sanity. It is a narrative partly based on diary entries, written in a minute hand on tissue paper, which escaped the eye of the authorities. Moreover, following her release in April 1967 - she had been altogether incarcerated for some three years - she produced a full script in the space of two or three months. The result is immediacy, spontaneity, authenticity; a story full of searing detail. It is also full of a fighting spirit, pervaded by a sharp intellect, a capacity for fine observation and a sense of humour typical of the women political prisoners at Barberton. A crucial theme in Sylvia Neame's account is the question of whether something positive emerged out of her experience and, if so, what exactly it was.
"Why are you learning Zulu?" When Mark Sanders began studying the language, he was often asked this question. In Learning Zulu, Sanders places his own endeavors within a wider context to uncover how, in the past 150 years of South African history, Zulu became a battleground for issues of property, possession, and deprivation. Sanders combines elements of analysis and memoir to explore a complex cultural history.
Perceiving that colonial learners of Zulu saw themselves as repairing harm done to Africans by Europeans, Sanders reveals deeper motives at work in the development of Zulu-language learning—from the emergence of the pidgin Fanagalo among missionaries and traders in the nineteenth century to widespread efforts, in the twentieth and twenty-first centuries, to teach a correct form of Zulu. Sanders looks at the white appropriation of Zulu language, music, and dance in South African culture, and at the association of Zulu with a martial masculinity. In exploring how Zulu has come to represent what is most properly and powerfully African, Sanders examines differences in English- and Zulu-language press coverage of an important trial, as well as the role of linguistic purism in xenophobic violence in South Africa.
Through one person's efforts to learn the Zulu language, Learning Zulu explores how a language's history and politics influence all individuals in a multilingual society.
Mark Sanders is professor of comparative literature at New York University. His books include Complicities: The Intellectual and Apartheid and Ambiguities of Witnessing: Law and Literature in the Time of a Truth Commission.
The death of Winnie Madikizela-Mandela on 2 April this year unleashed a hailstorm of opinion. On one side, Winnie’s legacy was under construction by the media and public in the shadow of her sanctified ex-husband, casting Winnie as history’s loser. Msimang – who in the last few years has reflected extensively on Winnie Madikizela-Mandela – stood on the side of a younger generation, particularly of black women, who sought to reclaim Ma Winnie’s identity as an extraordinary woman and fierce political activist.
Examining that early impulse, Msimang has written a succinct, razor-sharp book. It is a primer for young feminists, popular culture enthusiasts and those interested in the politics of memory, reconciliation and justice, and a book that is as much about a woman as it is about the country she left behind.
The Resurrection of Winnie Mandela is an astute examination of one of South Africa’s most controversial political figures. It charts the rise and fall – and rise, again – of a woman who not only battled the apartheid regime, but the patriarchal character of the society that moulded her. In telling Ma Winnie’s story, Sisonke Msimang demonstrates the vital link between reclaiming the lives of one complex woman, and activism aimed at restoring the dignity of all women.
About the author:
Sisonke Msimang divides her time between Perth, Australia, where she is head of oral storytelling at the Centre for Stories, and South Africa, where she continues to play an active role in public commentary and analysis. Msimang’s first book, Always Another Country, was shortlisted for the Sunday Times Alan Paton Award for 2018
As accomplished as its subject, redoubtable socialite and women’s suffrage crusader Alva Vanderbilt Belmont, Fowler’s engrossing successor to 2013’s Z: A Novel of Zelda Fitzgerald, again showcases her genius for seeing beyond the myths of iconic women. In 1874, 21-year-old Alva Smith and her three sisters have impeccable antecedents but no money. Marrying well being the only way to keep her family secure, Alva sets her sights on railroad scion William K. Vanderbilt. Her effort pays off—William inherits $65 million in 1885—though she finds neither love nor sexual pleasure with her amiable, self-absorbed husband. Wealth offers scope for Alva’s formidable leadership skills: in the same years she bears three children, wins the parvenu Vanderbilts a position in elite society, and collaborates with architect Richard Hunt on a series of influential projects. Impeccably virtuous and self-disciplined, Alva nevertheless faces frequent censure for her lack of feminine deference, particularly when, in her 40s, she refuses to ignore her husband’s infidelity. Instead, she negotiates a divorce, weathers the scandal, and finds new fulfillment. The novel doesn’t sentimentalize its subject’s unsympathetic moments and qualities, and Fowler puts Alva in a clear context, revealing the narrow constraints of her era, class, and gender, and the fierce courage and creativity with which she negotiated them. Though the novel’s lavish sweep and gorgeous details evoke a vanished world, Fowler’s exploration of the way powerful women are simultaneously devalued and rewarded resonates powerfully.
Early in The Consolation of Maps, Thomas Bourke’s austere and elusive debut novel, the trio of central characters gathers in a late-1980s Manhattan gallery, which is being prepared for a glittering exhibition. Kenji is Japanese and has recently been headhunted from his curatorial position in Tokyo to work for Theodora Appel. She is a leader in the somewhat obscure world of cartographic trading, where rare maps can change hands for a fortune. She is also something of a mystery, by turns ruthless and empathetic; and reliant on Maria, her loyal Italian colleague and friend.
Standing in the unfinished gallery space off Madison Avenue, these three discuss the nature of time and space. Kenji has been giving the builders a hand, and is streaked with gypsum and sweat – unpleasant in such a fastidious individual. Just at this moment, however, his physical dishevelment is the least of his worries because his employer has been making remarks that Kenji does not quite like – and he is desperate to hold the line… (The Irish Times)
Twenty-four years ago Katharina Haugen went missing. All she left behind was her husband Martin and a mysterious string of numbers scribbled on a piece of paper.
Every year on 9 October Chief Inspector William Wisting takes out the files to the case he was never able to solve. Stares at the code he was never able to crack. And visits the husband he was never able to help. But now Martin Haugen is missing too.
As Wisting prepares to investigate another missing person's case he's visited by a detective from Oslo. Adrian Stiller is convinced Martin's involved in another disappearance of a young woman and asks Wisting to close the net around Martin. But is Wisting playing cat and mouse with a dangerous killer or a grief-stricken husband who cannot lay the past to rest?
Eight-year-old Alabed delivers a gripping first-hand account of the war in Syria, which began when she was three and led to her creating the now-famous Twitter account that brought her story to the world. This memoir, written with the help of her mother, Fatemah, provides striking detail and a plea for the world’s help. Alabed describes how her family’s peaceful life in Aleppo was shattered when her father was taken by the secret police when she was three years old, relaying her family’s confusion and fear with clarity. The writer also recalls being worried about losing her Barbie boots, and the guilt she felt over that worry. Alabed moves easily between normal moments, such as watching cartoons with her brother and sharing a tomato with her family during the siege, and shocking ones, such as hearing her first bomb explosion and coming to recognize the sound of different munitions. Fatemah’s voice also enters the book at a few points, to worry aloud about the future for her country and her daughter. Alabed’s book is remarkable for the clarity of her voice, given her age and harrowing experiences, which culminated in the family’s 2016 escape to Turkey. The story she shares can sometimes be hard to read, but it gives a valuable perspective on war that Americans don’t often see
Qabila's marriage is falling apart - it has been for years. If she had not fallen pregnant she and Rashid might not have married in the first place. After all, he was seeing Thandi at the time. And now Qabila wonders if he ever stopped seeing her. Does that explain why Qabila has never felt the full measure of his love? At least he is not abusive, her mother would say, unlike Qabila's father. But with her mother's passing, Qabila's world is coming undone. She is dreaming of strange songs and making lists to stay sane. When she finds out Rashid is living a double life, she demands a divorce. Why does he still resist? Why not go to Thandi?. As she tries to pick up the pieces of her life, Qabila rails against the persistent legacy of discrimination in South Africa. Not least of which is the racism in her own community towards fellow black people. But she also rediscovers the joy of family, and her Muslim faith, and meets a group of musicians who might be the answer to her puzzling dreams.
How do computers and robots change the meaning of being human? How do we deal with the epidemic of fake news? Are nations and religions still relevant? What should we teach our children?
Yuval Noah Harari’s 21 Lessons for the 21st Century is a probing and visionary investigation into today’s most urgent issues as we move into the uncharted territory of the future. As technology advances faster than our understanding of it, hacking becomes a tactic of war, and the world feels more polarized than ever, Harari addresses the challenge of navigating life in the face of constant and disorienting change and raises the important questions we need to ask ourselves in order to survive.
In twenty-one accessible chapters that are both provocative and profound, Harari builds on the ideas explored in his previous books, untangling political, technological, social, and existential issues and offering advice on how to prepare for a very different future from the world we now live in: How can we retain freedom of choice when Big Data is watching us? What will the future workforce look like, and how should we ready ourselves for it? How should we deal with the threat of terrorism? Why is liberal democracy in crisis?
Harari’s unique ability to make sense of where we have come from and where we are going has captured the imaginations of millions of readers. Here he invites us to consider values, meaning, and personal engagement in a world full of noise and uncertainty. When we are deluged with irrelevant information, clarity is power. Presenting complex contemporary challenges clearly and accessibly, 21 Lessons for the 21st Century is essential reading.
Drawing on the rich experience of his own life, bestselling author Paulo Coelho takes us back in time to relive the dreams of a generation that longed for peace and dared to challenge the established social order.
In HIPPIE, he tells the story of Paulo, a skinny Brazilian with a goatee and long hair, setting off on a journey in search of a deeper meaning for his life.
He travels on the famous ‘Death Train to Bolivia’, then on to Peru, later hitchhiking through Chile and Argentina. In the famous Dam Square in Amsterdam he finds young people playing music, while discussing sexual liberation, the expansion of consciousness and the search for an inner truth.
There he meets Karla, a Dutch woman in her twenties who has been waiting to find the ideal companion to accompany her on the fabled hippie trail to Nepal. Together with their fellow travellers, they embark on a trip aboard the Magic Bus, heading across Europe and Central Asia to Kathmandu.
For everyone, the journey is transformative. For Paulo and Karla it is a life-defining love story that leads to choices that will set the course of the rest of their lives.
Jack Reacher hits the pavement and sticks out his thumb. He plans to follow the sun on an epic trip across America, from Maine to California. He doesn’t get far. On a country road deep in the New England woods, he sees a sign to a place he has never been: the town where his father was born. He thinks, What’s one extra day? He takes the detour.
At the same moment, in the same isolated area, a car breaks down. Two young Canadians had been on their way to New York City to sell a treasure. Now they’re stranded at a lonely motel in the middle of nowhere. The owners seem almost too friendly. It’s a strange place, but it’s all there is.
The next morning, in the city clerk’s office, Reacher asks about the old family home. He’s told no one named Reacher ever lived in town. He’s always known his father left and never returned, but now Reacher wonders, Was he ever there in the first place?
As Reacher explores his father’s life, and as the Canadians face lethal dangers, strands of different stories begin to merge. Then Reacher makes a shocking discovery: The present can be tough, but the past can be tense . . . and deadly.
Former chief of the British Secret Intelligence Service Adrian Weston is awoken in the middle of the night by a phone call from the Prime Minister. Her news is shocking: the Pentagon, the NSA, and the CIA have been hacked simultaneously, their seemingly impenetrable firewalls breached by an unknown enemy known only as "The Fox." Even more surprisingly, the culprit is revealed to be a young British teenager, Luke Jennings. He has no agenda, no secrets, just a blisteringly brilliant mind. Extradition to the U.S. seems likely--until Weston has another idea: If Luke can do this to us, what can he do to our enemies?After conferring with both the American President and the Prime Minister, Weston is determined to use "The Fox" and his talents to the advantage of the two nations. But doing so places the boy on a geopolitical minefield. Adrian must stay one step ahead of multiple invisible enemies, all while finding a way to utilize the most powerful--and most unpredictable--weapon of all. With his trademark research and deep knowledge of the rules and practices of international intrigue, Forsyth takes on tomorrow's threats in this race-against-the-clock thriller.
Paul Stuart, a renowned food writer, finds himself at loose ends after his longtime girlfriend leaves him for her personal trainer. To cheer him up, Paul’s editor, Gloria, encourages him to finish his latest cookbook on-site in Tuscany, hoping that a change of scenery (plus the occasional truffled pasta and glass of red wine) will offer a cure for both heartache and writer’s block. But upon Paul’s arrival, things don’t quite go as planned. A mishap with his rental-car reservation leaves him stranded until a newfound friend leads him to an intriguing alternative: a bulldozer.
With little choice in the matter, Paul accepts the offer, and as he journeys (well, slowly trundles) into the idyllic hillside town of Montalcino, he discovers that the bulldozer may be the least of the surprises that await him. What follows is a delightful romp through the lush sights and flavors of the Tuscan countryside, as Paul encounters a rich cast of characters, including a young American woman who awakens in him something unexpected. A feast for the senses and a poignant meditation on the complexity of human relationships, My Italian Bulldozer is a charming and intensely satisfying story for anyone who has ever dreamed of a fresh start.
The breathtaking story of five brothers who bring each other up in a world run by their own rules. As the Dunbar boys love and fight and learn to reckon with the adult world, they discover the moving secret behind their father’s disappearance.
At the center of the Dunbar family is Clay, a boy who will build a bridge—for his family, for his past, for greatness, for his sins, for a miracle.
The question is, how far is Clay willing to go? And how much can he overcome?
Written in powerfully inventive language and bursting with heart, BRIDGE OF CLAY is signature Zusak.
